Chicago PD is shedding considered one of its authentic sequence regulars, and to say this lady isn’t taking it properly can be an understatement.
LaRoyce Hawkins’ Kevin Atwater was a TV Fanatic favourite, and primarily based on how followers are reacting to the information of his departure, it’s evident that he was a fan favourite, too.
And that’s what makes the information accompanying his departure so infuriating, the longer it really sinks in.


The very fact of the matter is that we’ve been right here earlier than.
We’ve lambasted One Chicago for all of the cast-cutting that’s been occurring for years, as they toss the whole lot from “funds cuts” to “inventive causes” at us to clarify why that’s come to be.
One Chicago has notoriously turn into a revolving door of characters. Because the years progress, they begin to really feel extra like plot automobiles than precise, deeply developed, well-rounded, well-written characters with any semblance of depth.
That’s to not say that some additions haven’t been nice, however, overwhelmingly, relying on whether or not the community, writers, or whoever else are correctly impressed and motivated, they’ve fostered an setting the place characters can flit out and in with out leaving a lot of an impression.


And that’s why it hurts so deeply after we lose characters which have made a long-lasting impression. Kevin Atwater is a kind of characters.
As an authentic sequence common, we’ve had the chance to know this character and watch his evolution for 13 years. To the purpose the place it’s troublesome to think about what the sequence will probably be with out him.
It appears uncommon to say that, I’m positive, on condition that I used to be additionally explaining how Chicago PD has accomplished the character a disservice for years, sidelining him and pushing him to the fringes of the sequence, treating his arcs as compulsory reasonably than alternatives for a gradual character to really thrive.
Once you mirror on that, it makes little or no sense.
How does a sequence run out of inspiration for a personality they stopped exploring within the first place?


There’s loads of curiosity in seeing any variety of arcs for him, which is exactly why viewers had been all the time vocal in expressing their frustration over the sequence merely not tapping into any of its potential in the case of him.
Kevin Atwater was a gradual, constant character; it’s the writing that by no means was, and that’s the place issues get irritating.
Other than perhaps Trudy, there’s no different character on the present that has the common enchantment of Atwater.
He possessed a quiet energy that grounded the sequence, and all the time permeated by means of even when underused. Atwater’s presence was all the time felt even on the periphery of scenes.
In some ways, he was the guts of the sequence, and in different methods, Intelligence’s ethical heart, with out making it his complete persona.


When so lots of the different characters have traits that begin to merge into each other, he’s a refreshing change of tempo.
So listening to in regards to the lack of what he has to supply the crew, just for the sequence to tease extra of the identical, makes his departure all of the extra enraging.
Along with Chicago PD treating Atwater, a legacy character within the franchise, as expendable, they’re appearing as if changing the present’s solely Black sequence common with one other Black character someway fills the void Atwater leaves behind. It doesn’t.
And albeit, that’s simply gross. By now, there’s a behavior of making an attempt to mitigate the outrage and get forward of the criticism of booting a personality of colour by teasing what their substitute will probably be like.
We noticed it two seasons in the past once they introduced Kiana Prepare dinner’s departure but in addition teased the addition of Eva Imani, a multiracial lady, to assuage viewers.


This time, Atwater is departing, however we’re instantly advised that we’ll get one other Black cop as an “agent of chaos.”
They know sufficient to know that whenever you eliminate the one Black character of a sequence, and one who has been a continuing presence for 13 seasons, they’d want a brand new addition to offset that in some capability.
Nevertheless it’s so reductive, too, as if that’s all Atwater needed to provide to the sequence within the first place. He was by no means simply the Black cop — he was a totally realized character who additionally occurred to be Black. Viewers see proper by means of that.
It’s not honest to the whole lot Atwater was for 13 years. Neither is it honest to the brand new addition who already feels just like the embodiment of a field ticked.
In fact, the opposite irritation is the “agent of chaos” descriptor, which already places me on edge.


Chicago PD doesn’t want extra “chaos” inside its characters.
It wants extra consistency and cohesion, for the present to do proper by the characters it already has, for Intelligence to really feel like a unit, not simply separate items shifting round a board or shelved when it’s not their time to shine.
Almost each new character for the previous 5 years has had some model of “chaos” connected to their description — some reference to them being an outsider in some capability.
Somebody, anybody, seize a thesaurus!
Or, higher but, diversify the choices for what characters can convey to the present so that they don’t really feel like pale ghosts or carbon copies of what we’ve already had.
It’s evident that the sequence is consistently chasing the identical character idea, some amalgamation of the identical two or three characters from yesteryear.


As if they’ll hit this similar button sufficient occasions, it’ll magically work. Perhaps it does, perhaps it doesn’t; hell, perhaps it’s only a desensitization tactic, and it’s not that it’s working; it’s simply that they’ve overwhelmed an idea into submission.
It feels just like the sequence is caught in a loop concerning its characters; that’s not a mirrored image of the characters however reasonably these telling their tales.
To say it’s uninspired is an understatement at this level.
“Chaos” has turn into the catch-all terminology for a similar traits that these reveals suppose can provoke the battle, drama, and motion they imagine the sequence wants.
It’s an oversimplification, or reasonably a poor substitution for truly taking the time to delve into correct storytelling, characterization, and extra importantly, interpersonal interactions.
I don’t need Imanis, Uptons, and Rojas producing from the essence of Erin Lindsay in some countless loop, or Torres, Halstead, and Dawson as jigsaw puzzles in new varieties.


Viewers have been crystal clear about their needs for the sequence, at the same time as they perceive the constraints that naturally include a long-running present these days, when networks really feel the squeeze and the trade as we all know it feels extra like fantasy than actuality.
On the very least, we wish the very coronary heart of a present to stay intact sufficient the place we are able to nonetheless acknowledge and join with it.
And the guts of a present is its characters.
They’re greater than only a assortment of archetypes stomping round a scene, or plot gadgets solely invaluable in a choose few episodes a season.


We would like extra of the characters we love attending to be the characters we’ve gotten to know through the years — for them to get the due and respect they deserve and have earned, for storylines to mirror their progress and champion their evolution, not teased and discarded.
Hell, we wish the distinctive worth every character brings to the desk to be celebrated, not thrown away or smothered out, as a result of the most secure and most uninspired factor is to maintain producing extra of the identical.
Good characters aren’t expendable or interchangeable.
Even when Chicago PD underused or misused Kevin Atwater, he was nonetheless a great character. And one other bout of “chaos” in a brand new type won’t do him any actual justice.
Yeah, I’m underwhelmed proper now, so I’m turning it over to you. What are your ideas on all of this, Fanatics?






