EXCLUSIVE: The Weeknd is depicted as a curious toddler by filmmaker Eddie Alcazar (Divinity, The Vandal) within the new stop-motion quick movie Pink Terror, an accompaniment to the music of the identical identify off his newest album launch Hurry Up Tomorrow. The video will be seen above.
Alcazar created the nightmarish fantasy movie idea following a dialog with the multi-Grammy Award-winning singer and actor who requested that “a boy in a haunted forest” be the story’s focus. From concept to idea to remaining product took Alcazar about three to 4 months to finish.
“The artistic freedom and time I had working with Abel allowed us to dive deep into uncooked themes and daring methods. By mixing dwell motion, cease movement, and VFX, we’ve crafted one thing actually distinctive—an expertise that pushes boundaries whereas staying rooted in uncooked emotion,” Alcazar informed Deadline on Saturday following the undertaking’s drop.

BTS with The Weeknd and Eddie Alcazar
Courtesy
Alcazar is finest identified for his stop-motion creations, together with his most up-to-date function Divinity (2023), a cosmic horror government produced by his mentor, Steven Soderbergh, starring Stephen Dorff, Scott Bakula, Moises Arias, Jason Genao, Karrueche Tran and Bella Thorne. Moreover, he collaborated with Darren Aronofsky on the quick movie The Vandal, starring Invoice Duke, which premiered at Cannes in 2021.
His work on The Vandal caught the eye of The Weeknd, born Abel Makkonen Tesfaye, resulting in their two collaborations on Hurry Up Tomorrow.
Along with Pink Terror, Alcazar directed The Weeknd’s latest “Open Hearts” efficiency on Jimmy Kimmel Dwell! which aired simply as his album dropped. The efficiency serves as a prequel to “Pink Terror,” ending with The Weeknd following a toddler model of himself out into the forest.
“Abel’s music and work ethic are extremely inspiring, and we have been decided to create visuals that matched the richness and high quality of his sound. Our ongoing conversations over the previous few months stored unlocking new layers of element, permitting us to develop and deepen the world we have been constructing,” Alcazar shared.
He continued, “Cease movement is an intricate, painstaking craft—typically thought-about a misplaced artwork—with animators averaging simply 5 seconds of footage per day. Each body calls for meticulous consideration, from the tiniest set changes to the subtlest character actions. I’m actually grateful that Abel trusted this course of, embracing the gradual, deliberate tempo required to convey such handcrafted artistry to life on such a grand scale.”
Catch the Jimmy Kimmel Dwell! efficiency under.

