SIPPY has launched her long-awaited debut album Scars In Stereo, out now through Zeds Lifeless’s Deadbeats. The ten-track undertaking marks a pivotal second for the Australian dubstep and bass music producer, revealing a weak and self-reflective aspect whereas confronting the customarily harsh realities of navigating a male-dominated digital music business.
The album is the sound of an artist turning scars into markers of progress whereas reclaiming her voice on her personal phrases.
“Scars In Stereo is a mirrored image of my journey by means of the music business,” SIPPY mentioned in an announcement. “It captures the wins, but in addition the despair, disassociation and misconduct I’ve confronted alongside the best way. Greater than something, this album is about resilience. It’s about standing up, pushing by means of and proudly owning my story.”

The album opens with its titular observe, a spoken-word piece that appears like the inspiration for all the things that follows. Over mild piano strikes, SIPPY speaks straight concerning the weight of expectation: “Who cares what I’ve to say, until it matches with the established order.” Her tone grows sharper because the observe builds, culminating within the admission, “I can’t sleep, I can’t eat, however I nonetheless must reply to all of the hate.”
“Extensive Awake” follows, capturing the exhaustion of fixed self-doubt as No/Me) sings, “Can’t go to sleep when the sky is burning down on repeat.” Her vocals float above textured percussion and synths that mirror the unease of sleepless nights.
Within the center stretch of the album, SIPPY examines her personal patterns. “Like I’m Excessive” twists by means of wobbly bass and fragmented vocals, the tone shifting between reflection and give up as she explores the dizzying highs and lows of self-discovery. When she laughs and admits, “I don’t fucking get it,” it lands like a candid admission in a observe centered round existential uncertainty.
“FUKT UP” (with Vibrant Sparks) follows with heady, seductive power, delivering hypnotic manufacturing by means of glossy low-end textures and darkish, intoxicating rhythms. Beneath its floor, the observe pulses with resistance, channeling the stress of an artist pushing again towards the calls for that after confined her. “Can we simply fake?” then lands as a smooth counterpart, easing the stress with mild melodies and glacial pacing. The lyrics trace at escapism and the need to step exterior oneself as she asks, “Why can’t I conceal inside your eyes?”
“Residence” continues that slowdown with ethereal synths and a restrained vocal that drifts between the consolation of residence and the sensation of being untethered. The observe captures a craving for grounding within the face of displacement, that intuition to return to one thing acquainted even when that place feels far-off. “At any time when I’m residence and I don’t know the place I’m,” she repeats, her voice trying to find stability within the blur.
SIPPY deepens the trail inward with the haunting dubstep observe “Ashes,” the place Marlhy confronts accountability and wrongdoing head-on. “What you probably did was not okay,” she declares. “You’re ready for forgiveness whilst you attempt to level the blame and keep away from any type of consequence.” Then “Killa” flips the emotional weight of the report into energy as Bianca’s hook (“that woman is a killa”) turns into a commanding mantra, delivered over a playful, bass-heavy drop that strikes with perspective.
She closes the album with “Subsequent Up,” an announcement piece that lands with conviction and appears ahead somewhat than again. A collaboration with PLSMA and Artifice, the observe contains a assured introduction (“I hold attempting to inform y’all it’s not the identical me) over an assertive, funk-fueled beat that builds right into a burst of momentum.
Launched alongside the start of an eponymous tour, the album arrives as SIPPY continues a breakout run on a few of dance music’s greatest phases, together with current performances at Bass Canyon, Misplaced Lands and Tomorrowland. The tour kicked off October twelfth at GRiZ’s inaugural Seven Stars Competition and can proceed with stops throughout the US and Canada.
You may take heed to Scars In Stereo beneath and discover the brand new album on streaming companies right here.
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